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Furniture conservation and restoration are very different
in scope, but often a conservation treatment will include some
restoration. Treatment priorities are based on preserving as
much of the original as possible and the conservator should
first determine the intended use of an object before finalizing
a treatment recommendation. How furniture will be used is a
practical matter and must be addressed to achieve the most
satisfactory long-term results.
For example, a chair destined
for an exhibition or gallery will often receive a structural
treatment that is different from one going into a private home
and used regularly. Similar consideration must be given to
chests of drawers, tables, desks and any other object with
moving parts such as drawers and doors. Much of the time a
conservator spends on a treatment involves undoing well meaning,
but poor restoration attempts. Misunderstanding of period styles,
construction details and finishing methods is not uncommon. |
| Use is an important factor, when weighing the approach to
finish treatments. Is the finish well adhered, what is it comprised
of, what is its overall condition, are there aesthetic considerations,
is it light damaged or faded? Finishes can often be satisfactorily
consolidated and cleaned. In cases where the finish is not
appropriate for the period, it is removed and a correct resin
is applied to recreate historic appearances. |
Occasionally hardware
such as drawer pulls, hinges, latches, castors, etc. are original.
More frequently, however; hardware has been changed because
of damage or changes in style. Determining what the correct
period hardware should be and installing it is often recommended.
Sometimes ghosting, showing the outline of the original, exists
on the surface of a drawer or door which makes the process
for selecting correct hardware more certain.
While the preservation needs of an individual piece will almost
always vary, one or more of the following is usually necessary
to complete a conservation treatment: structural repair, loss
compensation of structural elements, loss compensation of carving,
fretwork, marquetry and inlay. Finish work will often require
French polishing, finish color matching, gold leaf restoration
and the stabilization and cleaning of delicate surface materials.
Hardware is cleaned and occasionally polished depending upon
the amount of corrosion. |
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After treatment, the preservation process does not end.
Ongoing maintenance and care is necessary in order to meet
the preservation requirements of decorative art objects. These
requirements can often be simply met by periodically waxing
furniture, avoiding direct sunlight and maintaining stable
relative humidity. Occasional
inspections are suggested to check for changes in condition.
Loose joinery or surface materials should always be corrected
to reduce the probability of additional damage or loss of material.
Completely satisfying preservation goals is often a challenge.
Yet an ongoing collaboration between the owner and the conservator
will ensure that important art objects remain in good condition
for future generations to appreciate and enjoy. |
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